Photography After Frank读书介绍
| 类别 | 页数 | 译者 | 网友评分 | 年代 | 出版社 |
|---|---|---|---|---|---|
| 书籍 | 224页 | 8.1 | 2009 | Aperture |
| 定价 | 出版日期 | 最近访问 | 访问指数 |
|---|---|---|---|
| USD 29.95 | 2009-06-01 … | 2022-12-11 … | 74 |
In "Photography After Frank," former "New York Times" writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected leaps. Gefter takes Frank's "The Americans" as a decisive challenge to photographic objectivity, with its grainy, off-hand-seeming spontaneity and its documentation of life beyond the picket fence. Thus viewed, "The Americans" provides Gefter with a bridge to the phenomenon of the staged document" and Postmodernism's further challenge to image fidelity. Other areas of discussion include photojournalism, the recent diversity of portraiture styles, the influence of private and corporate collections on curatorial decisions and how the market shapes art making. Throughout "Photography After Frank," Gefter deftly demonstrates Frank's legacy in the work of dozens of important individual artists who followed in his wake, from Lee Friedlander and Nan Goldin to Stephen Shore and Ryan McGinley. The book includes texts written exclusively for this publication as well as essays drawn from Gefter's critical writings, reviews and even obituaries. "Photography After Frank" offers a page-turning approach to a subject that will appeal to students and art world aficionados alike."
作者简介本书中收录的文章部分是菲利普·盖夫特专为此次出版撰写的，部分来自他为《纽约时报》以及其他出版物撰写的批评性文章，展览、书籍评论，甚至讣告。
盖夫特曾在《纽约时报》工作超过 15 年，曾经担任的职务包括头版图片编辑和文化版块的资深图片编辑。盖夫特早年曾在《财富》杂志担任图片编辑，在光圈出版社担任助理编辑。2010 年，他担任制片人制作了屡获殊荣的纪录片《我们都为比尔着盛装》（Bill Cunningham New York ）。他曾获盖蒂研究中心的博物馆驻留奖金，现在，他定期发表有关摄影的文章，并且正在撰写策展人、收藏家山姆·瓦格斯塔夫的传记。
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