Authors and Owners读书介绍
| 类别 | 页数 | 译者 | 网友评分 | 年代 | 出版社 |
|---|---|---|---|---|---|
| 书籍 | 190页 | 2020 | Harvard University Press |
| 定价 | 出版日期 | 最近访问 | 访问指数 |
|---|---|---|---|
| USD 51.50 | 2020-02-20 … | 2020-07-09 … | 99 |
The notion of the author as the creator and therefore first owner of a work is deeply rooted both in our economic system and in our concept of the individual. But this conception of authorship is modern. Mark Rose traces its formation in 18th-century Britain - and, in the process, highlights issues still current in intellectual property. The twin conception of author as owner and work as commodity took shape, Rose shows, in a long, legal and commercial struggle over the nature of literary property that developed after the passage of the Statute of Anne in 1710, the world's first copyright statute. This struggle, which led to the landmark case of Donaldson v. Becket in 1774, engaged many of the leading jurists of the period, including Lord Mansfield and William Blackstone. Classical notions of property were blended with an emergent literary discourse of original genius, and the modern representation of the author as proprietor was produced. "Authors and Owners" is an analysis of an important episode in legal history and a contribution to literary and cultural history.
作者简介马克•罗斯，1967年自哈佛大学获英国文学博士学位，后执教于耶鲁大学、伊利诺斯州立大学、加利福尼亚州立大学，曾任加利福尼亚州立大学英语系主任、人文研究院主任。他的研究兴趣是文艺复兴时期的文学、戏剧，莎士比亚，科学小说，知识产权的历史与理论。他还任多家大学出版社的学术顾问。
杨明，执教于北京大学法学院，曾为美国加州大学伯克利分校法学院访问学者，研究领域为知识产权法、网络法、竞争法。
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